《现场》罗伯特·莫里斯(Robert Morris)高清作品欣赏

罗伯特·莫里斯(Robert Morris)高清作品《现场》

作品名：现场

艺术家：罗伯特·莫里斯

年代：1964

风格：概念艺术

类型：表现

舞蹈在莫里斯的作品中占有重要地位，包括艺术家创作出基本的、盒状的道具，这些道具可以预见他的极简主义对象和关注观众的互动。20世纪60年代，这位艺术家为纽约的贾德森舞蹈剧院（Judson Dance Theater）编排并表演了一些作品，包括Site。在这幅作品中，首先由视觉艺术家卡罗尔·施奈曼（Carolee Schneemann）和莫里斯（Morris）在剩余舞蹈剧院表演，她戴着自己的面具（madeby Jasper Johns），系统地拿走了四乘八英尺厚的胶合板，露出一个模仿爱德华·马奈（Edouard Manet）奥林匹亚的裸体施奈曼（1863）。莫里斯在舞台周围操纵着木板，直到最后用木板再次掩盖了施耐曼，同时在背景中反复播放着大锤的声音。网站回忆起Box with Sound of The Own Making，它通过音频记录来制作，重点关注木结构的平庸构造，但是这里的情况更加复杂和模糊；不清楚是匿名蒙面莫里斯还是裸体施奈曼，他苍白的皮肤，苍白的皮肤。白色的背景阻止了注意，是表演的焦点-一个模糊，促使观众考虑相对重要性的艺术过程与结果作品本身。

Title:Site

artist:Robert Morris

Date:1964

Style:Conceptual Art

Genre:performance

Dance has occupied an important aspect of Morris's oeuvre, involving the artist's creation of rudimentary, box-like props that anticipated his Minimalist objects and concern with viewer interaction. In the 1960s, the artist choreographed and performed a number of works for the New York-based collective known as the Judson Dance Theater, including Site. In the piece, first performed at the Surplus Dance Theater with the visual artist Carolee Schneemann, Morris, wearing a mask of his own face (madeby Jasper Johns), systematically carried away four-by-eight foot sheets of plywood to reveal a nude Schneemann emulating Edouard Manet's Olympia (1863). Morris maneuvered the boards around the stage, until finally using them to again conceal Schneemann, all the while the sound of a jackhammer played repeatedly in the background. Site recalls Box with the Sound of Its Own Making through its use of an audio recording and focus on the banal (de)construction of a wooden structure, but here the situation is more complex and ambiguous; it is unclear whether the anonymous masked Morris or the nude Schneemann, whose pale skin and white backdrop discourage attention, is the focal point of the performance-an ambiguity that prompts the viewer to consider the relative importance of the artistic process versus the resulting artwork itself.