《河边的沐浴者》亨利·马蒂斯(Henri Matisse)高清作品欣赏

亨利·马蒂斯(Henri Matisse)高清作品《河边的沐浴者》

作品名：河边的沐浴者

艺术家：亨利·马蒂斯

年代：1909—1916

风格：立体主义

类型：风俗画

材质：布面油彩

尺寸：260 x 390 cm

收藏：芝加哥艺术学院，芝加哥，IL，美国

马蒂斯认为这幅画是他职业生涯中最重要的一幅画，这无疑是他最困惑的一件事。他在八年的时间里工作，并且经历了各种各样的转变。这幅画是马蒂斯的俄国赞助人谢尔盖·舒克金委托创作的，他画了两幅关于舞蹈和音乐主题的装饰画，最初，这幅画的构图类似于他以前在《生命之乐》（1905-06）等画中描绘的田园诗般的场景。然而，他的转变逐渐使它变成了更多与立体主义的对抗，正是由于这个原因，这幅画一直受到严密的审查。虽然马蒂斯拒绝立体主义，但他确实感到受到了挑战，这幅画和他在1913年至1917年间画的许多画一样，似乎也受到了这种风格的影响，因为它与他以前的装饰性更强的作品大不相同。它更关注人物形象结构的忠实表现及其在空间中的位置。

Title:Bathers by a River

artist:Henri Matisse

Date:1909 - 1916

Style:Cubism

Genre:genre painting

Media:oil,canvas

Dimensions:260 x 390 cm

Location:Art Institute of Chicago, Chicago, IL, US

Matisse regarded this picture as one of the most important in his career, and it is certainly one of his most puzzling. He worked on it at intervals over eight years, and it passed through a variety of transformations. The painting evolved out of a commission from Matisse's Russian patron, Sergei Shchuckin, for two decorative panels on the subjects of dance and music, and, initially, the scheme for the picture resembled the idyllic scenes he had previously depicted in paintings such as Joy of Life (1905-06). However, his transformations gradually turned it into more of a confrontation with Cubism, and it is for this reason that the picture has been the subject of intense scrutiny. Although Matisse rejected Cubism, he certainly felt challenged by it, and this picture - along with many he painted from 1913 to 1917 - seems to be influenced by the style, since it is very unlike his previous, more decorative work. It is far more concerned with faithful representation of the structure of the human figure, and its position in space.