《巴比伦之火与国王和摩卡的哀悼》恩德(Ende)高清作品欣赏

恩德(Ende)高清作品《巴比伦之火与国王和摩卡的哀悼》

作品名：巴比伦之火与国王和摩卡的哀悼

艺术家：恩德

年代：c.975

风格：莫札拉布

类型：微型

这张插图和大多数的Stimeii BeStube一样，涵盖了两个页码。对开本215v以传说“vbi babilon it est iste mundus/ardet”作为解释680的译文，在顶部，显示了天使飞翔，用话语的手势指着巴比伦城，巴比伦城被描绘成一个由两部分组成的大脸和山墙状的屋顶王冠组成的城墙。有尖顶，两侧有大的扶手，满是火焰——以波浪形、红色和蓝色线条表示——有一个马蹄形拱门形式的大开口，拱门上有一个封闭的木门，铁铆钉，主要由两对带有矩形框架的双马蹄形拱门环绕。里面可见的壶和杯子属于西哥特人的传统，象征着它的辉煌，或者是尼布甲尼撒偷来的圣杯。上面是一对长方形的马蹄形拱门，每个拱门顶部有金色的星形，在两个相邻的侧面区域重复，底部也有金色的四边形，以代表他们的财富。梅隆，几个塔形和多色广场，可以暗示瓷砖：所有这些都旨在描绘一个典型的科尔多瓦加里发哈特建筑风格-从来没有贬义的意义，而是传达它在列昂王国唤起的敬佩。e传说“ubi reges u[e]l mercatores babilonia plangent”在页面的顶部，描绘了两排人：每排的前两个人穿着长衣，戴着一个大的东方头饰，带着一根权威的手杖，用手触摸他们的下巴，以通常的咖啡姿势。戒指，所以这些是国王。跟在他们后面的人做着话语和痛苦的手势，在他们下面是树木的图解和装饰性的代表。

Title:The fire of Babylon and the mourning of the kings and mercha

artist:Ende

Date:c.975

Style:Mozarabic

Genre:miniature

This illustration, as in most stemma II Beatus, covers two folios. Folio 215v, with the legend “vbi babilon it est iste mundus/ardet”, a paraphrase of the explanatio680, at the top, shows the angel flying and pointing in a discursive gesture at the city of Babylon represented as a walled city consisting of a large face with two sections and a gabled roof crowned by crenellations and flanked by large buttresses, full of fire – represented by wavy, red and blue lines – with a large opening in the form of a horseshoe arch containing a closed, wooden gate with iron rivets, surrounded mainly by two pairs of twin horseshoe arches with a rectangular frame. The jugs and cups that can be seen inside belong to a Visigothic tradition and symbolise its splendour or the holy goblets stolen by Nebuchadnezzar. Above this is a pair of mullioned horseshoe arches with a rectangular frame, each with a gold, star shape in the top part, which is repeated on the two adjacent, side areas, and a quadrangular shape, also gold, in the bottom part, to represent their wealth, all crowned by three Muslim-type, stepped merlons, several turret shapes and multicolour squares that could suggest tiles: all aimed at depicting the city in an architectural style typical of the Caliphate of Cordova – never in a pejorative sense but rather conveying the admiration it aroused in the kingdom of León. Folio 216r, with the legend “ubi reges u[e]l mercatores babilonia plangent” at the top of the page, depicts two rows of persons: the first two people in each row are shown with long garments, a large, eastern headdress and a staff of authority, and touching their chin with their hand in the usual gesture of suffering, hence these are the kings. The men following them make gestures of discourse and suffering, and beneath them are schematic and decorative representations of trees.