《两只猴子》彼得·勃鲁盖尔(Pieter Bruegel the Elder)高清作品欣赏

彼得·勃鲁盖尔(Pieter Bruegel the Elder)高清作品《两只猴子》

作品名：两只猴子

原名：TwiteGeKeKDEN-APPEN

艺术家：彼得·勃鲁盖尔

年代：1562

风格：北欧文艺复兴

类型：动物画

介质：油画,橡木板

标签：猴子

尺寸：20 x 23 cm

收藏：柏林国家博物馆，柏林，德国

布鲁盖尔的《两只猴子》被看作是“小寓言”，其中猴子代表愚蠢的罪人，他们被囚禁的原因是对物质财富的不节制的态度。左边的猴子象征着贪婪；右边的猴子象征着挥霍，这是基于对布鲁格尔不同寻常的成分（带有偏振和对比图形）的分析、与16世纪其他描绘猴子的作品的比较以及《两只猴子》的观察得出的结论。Yes与另一幅勃鲁盖尔画，Dulle GriET（Maul-Meg）有着基本的相似之处。这两部作品与背景证据（当时的艺术、文学和浮华）的相似性支持了布鲁格尔的主题是不当使用财富的观点，财富是1560年代低地国家人道主义基督徒的中心问题。

Title:Two Monkeys

Original Title:Twee geketende apen

artist:Pieter Bruegel the Elder

Date:1562

Style:Northern Renaissance

Genre:animal painting

Media:oil,oak panel

Tag:monkeys

Dimensions:20 x 23 cm

Location:Staatliche Museen zu Berlin, Berlin, Germany

Bruegel's Two Monkeys is seen as a “small allegory” in which the monkeys represent foolish sinners, and their imprisonment is the result of an immoderate attitude towards material wealth. The monkey on the left signifies avarice; the monkey on the right, prodigality, a conclusion based on an analysis of Bruegel's unusual composition (with its polarized and contrasted figures), a comparison with other 16th-century compositions depicting monkeys, and the observation that the Two Monkeys has a fundamental resemblance to another Bruegel painting, the Dulle Griet (Mad Meg). The similarity between these two works and the contextual evidence (the art, literature, and pageantry of the period) support the view that Bruegel's subject was the improper use of wealth — a central issue for humanist Christians in the Low Countries in the 1560's.