彼得·勃鲁盖尔

彼得·勃鲁盖尔

Pieter Bruegel the Elder(c.1525-1569)
北欧文艺复兴艺术家彼得·勃鲁盖尔(Pieter Bruegel the Elder)专题网站

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《死亡的胜利》彼得·勃鲁盖尔(Pieter Bruegel the Elder)高清作品欣赏

油画 13172
彼得·勃鲁盖尔
Pieter Bruegel the Elder

彼得·勃鲁盖尔(Pieter Bruegel the Elder)高清作品《死亡的胜利》彼得·勃鲁盖尔(Pieter Bruegel the Elder)高清作品《死亡的胜利》

作品名:死亡的胜利

原名:死神的胜利

艺术家:彼得·勃鲁盖尔

年代:c.1562 - c.1563

风格:北欧文艺复兴

类型:宗教绘画

介质:油画,面板

标签:基督教、地狱、生与死

尺寸:117 x 162 cm

收藏:Museo del Prado,马德里,西班牙

这幅画描绘了中世纪文学中一个惯常的主题:死亡之舞,北方艺术家经常使用这种舞蹈。布鲁盖尔用红棕色调子把整部作品投射出来,使场景呈现出适合手头主题的阴暗面。艺术家运用的大量场景和道德意识是博世对这部作品的影响的一部分。勃鲁盖尔结合了两个不同的视觉传统的面板。这些是他的土生土长的《死亡之舞》北方木刻和意大利关于死亡胜利的观念,就像他在巴勒莫的斯卡拉法尼宫和比萨的坎波桑托纪念碑上看到的壁画一样。

Title:The Triumph of Death

Original Title:De Triomf van de Dood

artist:Pieter Bruegel the Elder

Date:c.1562 - c.1563

Style:Northern Renaissance

Genre:religious painting

Media:oil,panel

Tag:Christianity,Hell,birth-and-death

Dimensions:117 x 162 cm

Location:Museo del Prado, Madrid, Spain

This painting depicts a customary theme in medieval literature: the dance of Death, which was frequently used by Northern artists. Brueghel casts the entire work in a reddish-brown tone that gives the scene an infernal aspect appropriate for the subject at hand. The profusion of scenes and moralizing sense applied by the artists are part of Hieronymous Bosch?s influence on this work. Bruegel combines two distinct visual traditions within the panel. These are his native tradition of Northern woodcuts of the Dance of Death and the Italian conception of the Triumph of Death, as in frescoes he would have seen in the Palazzo Sclafani in Palermo and in the Camposanto Monumentale at Pisa.