《强奸萨宾妇女》尼古拉斯·普桑(Nicolas Poussin)高清作品欣赏

尼古拉斯·普桑(Nicolas Poussin)高清作品《强奸萨宾妇女》

作品名：强奸萨宾妇女

原名：我诱拐

艺术家：尼古拉斯·普桑

年代：1637—1638

风格：古典主义

类型：神话画

材质：布面油彩

标签：希腊罗马神话

尺寸：206 x 159 cm

收藏：法国巴黎Louvre

Poussin对这一主题提出了两种解释，即萨宾妇女的强奸和萨宾妇女的绑架。这两幅画都讲述了罗马男人通过从萨宾邻居那里绑架妻子为自己谋取妻子的传奇故事。故事是这样的，罗马建国后不久，妇女很少，所以罗穆卢斯举办了一个节日，邀请邻近城镇的成员。在节日里，在Romulus的信号下，罗马男人绑架妇女，把他们当作妻子。在此背景下，“强奸”一词更紧密地与“绑架”联系在一起，比如绑架妇女，而不是性侵犯妇女。这一主题在古代绘画、雕塑和文学中被重新审视。Poussin的作品现在悬挂在纽约的大都会艺术博物馆上。

Title:Rape of the Sabine Women

Original Title:L'Enlèvement des Sabines

artist:Nicolas Poussin

Date:1637 - 1638

Style:Classicism

Genre:mythological painting

Media:oil,canvas

Tag:Greek-and-Roman-Mythology

Dimensions:206 x 159 cm

Location:Louvre, Paris, France

Poussin created two interpretations of this theme, The Rape of the Sabine Women and The Abduction of the Sabine Women. Both paintings tell the legendary story of the men of Rome acquiring wives for themselves by kidnapping them from their Sabine neighbors. As the story goes, shortly after the founding of Rome, there were very few women, so Romulus held a festival, inviting members of the neighboring towns. At the festival, on the signal of Romulus, the Roman men abducted the women to take them for their wives. In this context, the word “rape” is more closely tied to “abduction,” as in the act of taking the women, rather than sexually assaulting them. This theme has been revisited throughout antiquity in paintings, sculptures, and literature. Poussin’s work now hangs in the Metropolitan Museum of Art in New York.