《来自晚间教堂》塞缪尔·帕默(Samuel Palmer)高清作品欣赏

塞缪尔·帕默(Samuel Palmer)高清作品《来自晚间教堂》

作品名：来自晚间教堂

艺术家：塞缪尔·帕默

年代：1830

风格：浪漫主义

类型：景观

这是Palmer最著名的作品之一，他在Kent肖勒姆的时候画的。帕默在肖勒姆生活了大约七年。对他来说，它代表了一种乡村天堂，一种理想的风景，被神圣的存在所感动。他称达朗特山谷为“视觉之谷”。帕默的这一时期的照片非常个人化，并且常常具有与威廉·布莱克（1757-1827）的作品相当的神秘、甚至有远见的品质。帕默深受布莱克对安布罗斯·菲利普斯模仿维吉尔《第一Eclogue》(1821)的插图的启发，当他写到布莱克雕刻作品时，他本可以描述自己的作品：“它们是小山谷、角落和天堂角落的景象；最精致的π的模型。充满激情的诗篇……在所有这种神秘和梦幻的光芒中，都有穿透和点燃最深处灵魂的光芒”(A.H.帕默，《塞缪尔·帕默的生平与来信》，1892，第15-16页)。

Title:Coming from Evening Church

artist:Samuel Palmer

Date:1830

Style:Romanticism

Genre:landscape

This is one of Palmer's best-known works, painted while he was living in Shoreham in Kent. Palmer lived in Shoreham for about seven years. To him it represented a kind of rural paradise, an ideal landscape, touched by a divine presence. He called the Darent Valley the 'Valley of Vision'. Palmer's pictures of this period are intensely personal, and often have a mystical, even visionary quality comparable to the work of William Blake (1757-1827). Palmer was greatly inspired by Blake's illustrations to Ambrose Philips's imitation of Virgil's First Eclogue (1821) and could have been describing his own work when he wrote of the Blake engravings: 'They are visions of little dells, and nooks, and corners of Paradise; models of the exquisitist pitch of intense poetry...There is in all such a mystic and dreamy glimmer as penetrates and kindles the inmost soul' (A.H. Palmer, The Life and Letters of Samuel Palmer, 1892, pp.15-16).