《基督在1889进入布鲁塞尔》詹姆斯·恩索尔(James Ensor)高清作品欣赏

詹姆斯·恩索尔(James Ensor)高清作品《基督在1889进入布鲁塞尔》

作品名：基督在1889进入布鲁塞尔

原名：我进入基督在布鲁塞尔

艺术家：詹姆斯·恩索尔

年代：1888

风格：表现主义,象征主义

类型：宗教绘画

介质：油画

尺寸：253 x 431 cm

《耶稣基督1889进入布鲁塞尔》被认为是恩索最著名的作品，也是表现主义的先驱。它代表着一个“未来”事件，即基督在现代布鲁塞尔的到来。虽然在远处的背景中可以看到基督的光环，但前景是由很多人（想起其他画家的面具；还有几个骷髅）和口号（"Vive la sociale！“杰弗斯，Bruxelles，罗伊德！”“”。这幅画被LEX XX拒绝，直到1929才展出。这是他的工作室在他的有生之年。在1947至1983年间，安特卫普皇家美术博物馆展出了从1983到1987的昆斯塔乌斯。在芝加哥艺术学院和古根海姆博物馆进行了1976的回顾。这幅画在洛杉矶盖蒂中心永久展出。1898年的蚀刻是基于它，具有相同的标题和概念，但特点是更复杂的组成，有更多的细节，字符和口号。

Title:Christ's Entry Into Brussels in 1889

Original Title:L'Entrée du Christ à Bruxelles

artist:James Ensor

Date:1888

Style:Expressionism,Symbolism

Genre:religious painting

Media:oil

Dimensions:253 x 431 cm

"Christ's Entry Into Brussels in 1889" is considered Ensor's most famous work and was a precursor to Expressionism. It represents a "future" event, that of the coming of Christ in modern Brussels. While Christ's aura can be seen in the far background, the foreground is dominated by a mass of people (reminiscent of the masks from other paintings of the artist; there are also a few skulls) and slogans ("Vive la sociale!", "Vive Jésus, roi de Bruxelles!"). The painting was rejected by Les XX, and not exhibited until 1929. It was shown at his studio in his lifetime. It was exhibited at the Royal Museum of Fine Arts, Antwerp from 1947 to 1983, Kunsthaus Zürich from 1983 to 1987. It showed at a retrospective in 1976 at the Art Institute of Chicago, and Guggenheim Museum. The painting is on permanent exhibition at the Getty Center in Los Angeles. An 1898 etching is based on it, bearing the same title and concept, but featuring a more complex composition, with more details, characters and slogans.