《女人与斗牛犬》弗朗西斯·毕卡比亚(Francis Picabia)高清作品欣赏

弗朗西斯·毕卡比亚(Francis Picabia)高清作品《女人与斗牛犬》

作品名：女人与斗牛犬

原名：两个裸体女人的斗牛犬

艺术家：弗朗西斯·毕卡比亚

年代：1941—1942

风格：媚俗艺术

类型：风俗画

介质：油画,硬纸板

皮卡比亚总是迷恋流行意象，经常用它来破坏现代艺术的严肃和正式的关注。在这幅画中，他使用了20世纪30年代《裸体》杂志的别针，这是他在20世纪40年代早期画出的一系列恶名昭彰的现实主义和色情裸体画中的一部分。虽然许多人认为他们画是赚钱的（这些画是通过阿尔及尔的一个代理商卖的），但他的亲密朋友坚持认为，皮卡比亚总是画他想画的东西，在他职业生涯中，这些画不能被看成是反常的。战后的策展人常常把他们放在一边，赞成庆祝Picabia的达达岁月，然而自从20世纪80年代以来，这些画对艺术家产生了重要影响，从David Salle到John Currin，他们都对媚俗的拥抱着迷。

Title:Women and Bulldog

Original Title:Deux femmes nues au bulldog

artist:Francis Picabia

Date:1941 - 1942

Style:Kitsch

Genre:genre painting

Media:oil,cardboard

Picabia always had a fascination with popular imagery, often employing it as a means to undermine the grave seriousness and formal concerns of modern art. In this painting, part of a notorious series of realistic and erotic nudes that he painted in the early 1940s, he used pin-ups from 1930s "nudie" magazines. Though many believe they were painted for money (they were sold through an agent in Algiers), his close friends have maintained that Picabia always painted what he wanted and that they cannot be dismissed as anomalies in his career. Curators after the war often did put them aside in favor of celebrating Picabia's Dada years, yet since the 1980s these pictures have been an important influence on artists ranging from David Salle to John Currin, who have been fascinated by their embrace of kitsch.