《坎托七世》巴尼特·纽曼(Barnett Newman)高清作品欣赏

巴尼特·纽曼(Barnett Newman)高清作品《坎托七世》

作品名：坎托七世

艺术家：巴尼特·纽曼

年代：1963

风格：色域绘画

类型：抽象

介质：光刻

尺寸：37 x 32.9 cm

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

除了绘画之外，Newman还创造了刻蚀和石刻，如系列18坎托斯（1963-64）。《Cantos》是他唯一一部以色彩表现的印刷系列，纽曼用音乐类比来形容它们："他们的交响乐团为每个单独的唱法增添了更多的清晰度，"他在系列介绍中写道，"同时，每个唱法都把歌曲加到完整的c中。在《18坎托斯》中，纽曼使用了一个宽阔的偏置带，在更薄的拉链上有一个变体，并且允许颜色流到边缘，测试了空间边界的概念。他写道，每一个罐头都有自己的“个人利润”。

Title:Canto VII

artist:Barnett Newman

Date:1963

Style:Color Field Painting

Genre:abstract

Media:lithography

Dimensions:37 x 32.9 cm

Location:Museum of Modern Art (MoMA), New York City, NY, US

In addition to paintings, Newman also created etchings and lithographs, such as the series 18 Cantos (1963-64). The Cantos are his only print series executed in color, and Newman spoke of them using musical analogies: "their symphonic mass lends additional clarity to each individual canto," he wrote in an introduction to the series, "and at the same time, each canto adds its song to the full chorus." In 18 Cantos, Newman employs a wide, off-set band, a variation on the thinner zips, and allows the colors to bleed out into the margins, testing the idea of spatial boundaries. He has written that each canto has its own "personal margins."