《蚂蚁山》皮埃尔?阿列钦斯(Pierre Alechinsky)高清作品欣赏

皮埃尔?阿列钦斯(Pierre Alechinsky)高清作品《蚂蚁山》

作品名：蚂蚁山

原名：山

艺术家：皮埃尔?阿列钦斯

年代：1954

风格：抽象绘画

类型：抽象

材质：布面油彩

尺寸：151.1 x 238.4 cm

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

皮埃尔·阿莱金斯基是欧洲艺术家团体眼镜蛇（Cobra）的中心人物，该团体强调材料及其自然应用。抽象和具体常常在他的作品中融合；在《消失》（迪斯帕雷特，1959）一书中，阿莱金斯基着重描写了画布中心女性人物的出现和消失。这种突起的形状和背景结合成一个被强烈刷洗的表面，其特点是浓密的白色颜料和以蓝色线条为主的网络。还有的抽象艺术特点的艺术家的水彩和早期油画如蚂蚁山的痕迹（La fourmilièRE，1954）。他的作品同样具有流动性和活力，指出艺术家的魅力与日本书法，他注意到在他前往日本1955。

Title:The 蚂蚁山

Original Title:La Fourmilière

artist:Pierre Alechinsky

Date:1954

Style:Tachisme

Genre:abstract

Media:oil,canvas

Dimensions:151.1 x 238.4 cm

Location:Solomon R. Guggenheim Museum, New York City, NY, US

Pierre Alechinsky was a central figure in Cobra, a European artists’ group that emphasized material and its spontaneous application. The abstract and concrete often merge in his work; in Vanish (Dispara?tre, 1959), Alechinsky focused on the appearance and disappearance of a female figure in the center of the canvas. This emergent shape and the background coalesce into a vigorously brushed surface that is distinguished by thickly impastoed white pigment and a network of predominantly blue lines. There are still traces of the allover patterning that characterizes the artist’s watercolors and earlier canvases such as The 蚂蚁山 (La fourmilière, 1954). His work likewise exhibits a fluidity and vitality that points to the artist’s fascination with Japanese calligraphy, which he observed during his travels to Japan in 1955.