《佩珀博士》爱德华多·包洛奇(Eduardo Paolozzi)高清作品欣赏

爱德华多·包洛奇(Eduardo Paolozzi)高清作品《佩珀博士》

作品名：佩珀博士

艺术家：爱德华多·包洛奇

年代：1948

风格：波普艺术

类型：比喻

介质：拼贴

收藏：泰特英国，伦敦，英国

这幅拼贴画是由流行的美国杂志上的图片组成的，这些杂志是保罗兹从美国退伍军人那里买来的，他们中的许多人由于美国政府的一项名为《退伍军人法案》的倡议在巴黎学习。在二战后不久（1939-45年）他自己的贫困和遍布欧洲的普遍贫困的背景下，保罗齐被“富饶而慷慨的异国社会”所诱惑并不奇怪（爱德华多·保罗齐，罗的“回顾性声明”）。BBIs，P.192）他在美国杂志上看到的。在佩珀博士的作品中，健康、快乐的人们享受着汽车、自行车、电饭锅和电话等机器所给予的自由的画面，覆盖着丰富的肉质食物的图片。保罗齐离开英国时，1947的配给比战争期间的任何时候都要严重。

Title:Dr. Pepper

artist:Eduardo Paolozzi

Date:1948

Style:Pop Art

Genre:figurative

Media:collage

Location:Tate Britain, London, UK

The collage is made up of images from popular American magazines, which Paolozzi procured from American ex-servicemen, many of whom were studying in Paris as a result of an initiative by the United States government known as the GI Bill. In the context of his own poverty and the general deprivation that affected all of Europe in the years immediately after the Second World War (1939-45), it is not surprising that Paolozzi was seduced by the 'exotic society, bountiful and generous' (Eduardo Paolozzi, 'Retrospective statements' in Robbins, p.192) that he saw presented in American magazines. In Dr Pepper, images of healthy, happy people enjoying the freedom afforded by such machines as cars, bikes, electric cookers and telephones overlay pictures of succulent food in abundance. When Paolozzi had left Britain in 1947 rationing was more severe than at any time during the war.