《赤裸的芬芳》约翰·麦克拉肯(John McCracken)高清作品欣赏

约翰·麦克拉肯(John McCracken)高清作品《赤裸的芬芳》

作品名：赤裸的芬芳

艺术家：约翰·麦克拉肯

年代：1967

风格：极简主义

类型：雕塑

介质：胶合板,玻璃纤维

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

McCracken在1966开始生产他生气勃勃的单色“木板”。抛光的树脂表面捕捉到了20世纪60年代南加州特有的冲浪美学和汽车文化，而标题则取自时尚杂志上的广告口号。作品与地板和墙壁的交互作用旨在唤起观众和对象对画廊中所占空间的关注。“我认为木板存在于两个世界之间，”McCracken说，“地板代表站立物体、树木、汽车、建筑物、人体和一切事物的物理世界，墙壁代表想象的世界、虚幻的绘画空间、人类的精神空间，等等。”

Title:The Absolutely Naked Fragrance

artist:John McCracken

Date:1967

Style:Minimalism

Genre:sculpture

Media:plywood,fiberglass

Location:Museum of Modern Art (MoMA), New York City, NY, US

McCracken began producing his vibrant monochrome “planks” in 1966. While the polished resin surface captures the aesthetic of surfing and car culture unique to Southern California in the 1960s, the title was drawn from advertising slogans in fashion magazines. The work’s interaction with both the floor and wall is meant to call attention to the space occupied in the gallery by both viewer and object. “I see the plank as existing between two worlds,” McCracken has said, “the floor representing the physical world of standing objects, trees, cars, buildings, human bodies, and everything, and the wall representing the world of the imagination, illusionistic painting space, human mental space, and all that.”